Aw, shit. This weekend is my ten year class reunion. And I keep getting shit for it. Mostly, people just saying condescendingly "Oh, I didn't go to mine. I didn't even go. I'm much cooler than such things and I don't even believe in going. I don't even know when it was. I don't even know math." (Possibly a paraphrase. Remember kids, only about 65% of shit I say is true.) Anyway, here's what I can say about that. Ahem. I'm going. I'm going because there are a handful of people I would like to catch up with, a handful of people I like to hang out with anyway, and a handful of people I haven't even met yet, since they can barely hold up their heads. Barring a legitimate scheduling excuse, I think perhaps not going would indicate an insecurity about where you are in your life (I should be MARRIED by now; I should be living in NEW YORK CITY by now; I should've gone on THE PRICE IS RIGHT by now). Me, I got an eye on the bright side: Not quite there yet, but on the cusp of something. So I'm going. But guess what I didn't go to? Senior Skip Day. I skipped it. So go on trying to be badass about skipping your reunion because of your bacne/false sense of superiority/fat ass/disappointment in yourself. Remember, I skipped Senior Skip Day. And I'm going to my motherfucking class reunion. Boom. Lawyered.
I met a 22 year old recently. Dear Age of 22: You sucked. Big time. I just heard Anne Hathaway (pay attention, this is gonna turn into a helluva segue) on Chelsea Lately (because I am like two weeks behind) talk about how much the early 20s suck, and part of the reason that the early 20s suck is because everyone is talking about how awesome the early 20s are, and you're like fuck, what am I doing wrong?? All I could think (besides, nice shoes/hair/lipstick/face, Anne Hathaway!) was how right she is. And on that note, here's your weekly (oh, let's not be too ambitious here) book rec: One Day by David Nicholls. I'm making it easy on you two weeks in a row, because this one is also a film, starring Anne Hathaway no less. (Have I gone on my diatribe about how I think movies and books are different animals created in different mediums in order to accomplish different things and can therefore not really be compared? I didn't think so. Enjoy that.) I've heard bad things about the film: how it portrays Dexter, the main male character, as a lout who can only be transformed into a decent human being through the love of a woman. And some shit about Emma (main female) only becoming lovable after she (late bloomer) makes herself over. That aside (and if I see some passive-aggressive facebook post linking to the Jezebel article that discusses the movie, I will be passive-aggressively annoyed and will continue to provoke you, just so you know), the book meets up with Dexter and Emma on the same day every year. Each chapter is one day in the life of Emma and/or Dexter, beginning with their graduation day from college. They both take interesting paths that intersect from time to time in curious and sometimes obvious ways. Eventually they'll fall in love, and then something terrible will happen, and you'll say to yourself "Self, you should not be reading this book out in the open, with your gapey mouth and wet eyes! Fool!" Read it because I said so. (Noticing a theme, here?)
Also put on your list: the Dugard (A Stolen Life, Jaycee Dugard) and its fictional counterpart Room by Emma Donoghue. The Dugard is Jaycee's account of her kidnapping, with her reflections looking back on her experiences. It's horrifying because it's true. Reading it takes about two minutes, and for fuck's sake, don't we owe it to her for leaving her kidnapped for so long? Go buy it. Room is a work of fiction, but is equally compelling. In Room, the kidnapping victim is raped by her captor, resulting in her pregnancy, and her son narrates the book. Room is where they stay. The first-person narration by a small child lends an immediacy to the book that is terrifying and suspenseful. I might elaborate on this more later, but for now, read it because I said so.
(You like how I just figuratively shove the book at you and say "Read this!"? Reasons I'm not good at my job for $1000. . .)
(I am dropping the mic here, a la Beyonce, but no belly rubbing. You hear me? NO BELLY RUBBING!)
S. . .
I met a 22 year old recently. Dear Age of 22: You sucked. Big time. I just heard Anne Hathaway (pay attention, this is gonna turn into a helluva segue) on Chelsea Lately (because I am like two weeks behind) talk about how much the early 20s suck, and part of the reason that the early 20s suck is because everyone is talking about how awesome the early 20s are, and you're like fuck, what am I doing wrong?? All I could think (besides, nice shoes/hair/lipstick/face, Anne Hathaway!) was how right she is. And on that note, here's your weekly (oh, let's not be too ambitious here) book rec: One Day by David Nicholls. I'm making it easy on you two weeks in a row, because this one is also a film, starring Anne Hathaway no less. (Have I gone on my diatribe about how I think movies and books are different animals created in different mediums in order to accomplish different things and can therefore not really be compared? I didn't think so. Enjoy that.) I've heard bad things about the film: how it portrays Dexter, the main male character, as a lout who can only be transformed into a decent human being through the love of a woman. And some shit about Emma (main female) only becoming lovable after she (late bloomer) makes herself over. That aside (and if I see some passive-aggressive facebook post linking to the Jezebel article that discusses the movie, I will be passive-aggressively annoyed and will continue to provoke you, just so you know), the book meets up with Dexter and Emma on the same day every year. Each chapter is one day in the life of Emma and/or Dexter, beginning with their graduation day from college. They both take interesting paths that intersect from time to time in curious and sometimes obvious ways. Eventually they'll fall in love, and then something terrible will happen, and you'll say to yourself "Self, you should not be reading this book out in the open, with your gapey mouth and wet eyes! Fool!" Read it because I said so. (Noticing a theme, here?)
Also put on your list: the Dugard (A Stolen Life, Jaycee Dugard) and its fictional counterpart Room by Emma Donoghue. The Dugard is Jaycee's account of her kidnapping, with her reflections looking back on her experiences. It's horrifying because it's true. Reading it takes about two minutes, and for fuck's sake, don't we owe it to her for leaving her kidnapped for so long? Go buy it. Room is a work of fiction, but is equally compelling. In Room, the kidnapping victim is raped by her captor, resulting in her pregnancy, and her son narrates the book. Room is where they stay. The first-person narration by a small child lends an immediacy to the book that is terrifying and suspenseful. I might elaborate on this more later, but for now, read it because I said so.
(You like how I just figuratively shove the book at you and say "Read this!"? Reasons I'm not good at my job for $1000. . .)
(I am dropping the mic here, a la Beyonce, but no belly rubbing. You hear me? NO BELLY RUBBING!)
S. . .